Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Benson, Frank
Girl Playing Solitaire

ID: 10745

Benson, Frank Girl Playing Solitaire
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Benson, Frank Girl Playing Solitaire


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Benson, Frank

American, 1862-1951 American painter, etcher and teacher. He attended the School of the Museum of Fine Arts, Boston, from 1880 to 1883 as a student of Otto Grundmann (1844-90) and Frederick Crowninshield (1845-1918). In 1883 he travelled with his fellow student and lifelong friend Edmund C. Tarbell to Paris, where they both studied at the Acad?mie Julian for three years with Gustave Boulanger and Jules Lefebvre. Benson travelled with Tarbell to Italy in 1884 and to Italy, Belgium, Germany and Brittany the following year. When he returned home, Benson became an instructor at the Portland (ME) School of Art, and after his marriage to Ellen Perry Peirson in 1888 he settled in Salem, MA. Benson taught with Tarbell at the Museum School in Boston from 1889 until their resignation over policy differences in 1913.   Related Paintings of Benson, Frank :. | Lady try on the hate | The Sisters | Girl Playing Solitaire | Sunlight | Representation at the Thitre des Varits |
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Arkady Rylov
(Russian: 29 January 1870 - June 22, 1939) was a Russian and Soviet Symbolist painter. Rylov was born in the village Istobenskoye, Vyatka gubernia. He was brought in the family of his stepfather, a notary (Rylov's father had a psychiatric illness). He moved to Saint Petersburg and studied at the Technical Design School of Baron Schtiglitz (1888-1891), then at the Imperial Academy of Arts under Arkhip Kuindzhi (1894-1897). Rylov was a member of the Mir iskusstva movement and its spin-off Union of Russian Artists also a member of the Association of Artists of the Revolutionary Russia. He was a chairman of the Kuindzhi Society. He started as a historical painter (his graduation work in the Imperial Academy of Arts was Assault of Pechenegs on a Slav village but became a predominately landscape painter. Still many of his paintings have some allusions with Russian history. Many of his landscapes painted after the October Revolution were seen as symbols of the revolutionary Freedom. At that time he also painted some typical Socialist Realism compositions like Lenin in Razliv. He taught in the Academy of Arts. In his studio he created almost a small nature reserve. There lived squirrels, rabbits, monkey Manka and many wild birds (without cages) and two anthills. According to Mikhail Nesterov wild animals and birds loved Rylov and often came to his studio.
Julien Dupre
1851-1910 French Julien Dupre Location
roger de la fresnaye
Roger de La Fresnaye (11 July 1885 - 27 November 1925) was a French cubist painter. He was born in Le Mans where his father, an officer in the French army, was temporarily stationed. The La Fresnaye's were an aristocratic family whose ancestral home, the Château de La Fresnaye, is in Falaise. His education was classically based, and was followed from 1903 to 1904 by studies at the Acad??mie Julian in Paris, and from 1904 to 1908 at the Ecole des Beaux-Arts. From 1908 he studied at the Acad??mie Ranson under Maurice Denis and Paul S??rusier, whose joint influence is evident in early works such as Woman with Chrysanthemums, 1909. This demonstrates the dreamlike symbolist ambience and stylistic character of work by the Les Nabis group. The Conquest of the Air, 1913. Museum of Modern Art, New York.From 1912 to 1914 he was a member of the Section d'Or group of artists, and his work demonstrates an individual response to cubism. He was influenced by Georges Braque and Pablo Picasso , but his work has a more decorative than structural feel and his prismatic colours reflect the influence of Robert Delaunay. He was a member of the Puteaux Group, an orphist offshoot of cubism led by Jacques Villon. His most famous work is The Conquest of the Air, 1913, and depicts a scene with himself and his brother outdoors with a balloon in the background. La Fresnaye served in the French army in World War I and his health deteriorated rapidly after the war. He never recovered the physical energy to undertake sustained work. In the later paintings that he did create, he abandoned cubist spatial analysis for a more linear style. He died in Grasse in 1925.






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